*I am reading from the Bantam Classic paperback edition of The Woman in White. My edition has around 783 pages, so my half way mark for the sake of the read-along is around 390 pages. As I have stated before, I am posting my reactions to the first half of our read-along assignments as I finish that portion, but I will not be posting my final thoughts until the indicated dates. With that in mind, other readers may want to refrain from reading my post until they have also finished the first half.*
Some thoughts while reading Part 1 of Wilkie Collins’ The Woman in White, first published in 1860:
1. I often find books written by English authors in the 1800s to have more intricate and rambling prose than I prefer. At times, The Woman in White fits this mold and at other times I find the prose delightfully simple. Oddly enough, I sometimes find myself thinking in the language of the day. Either way, Collins has certainly stirred my curiosity with the mystery and suspense that is developing in the novel. What is the story behind Anne Catherick?
2. I have read that Charles Dickens was a friend and mentor of Wilkie Collins. I have not yet read any Dickens, but am wondering how their writing compares and who I will prefer. Somehow my money is on Collins, although he is the lesser known.
3. Mr. Fairlie and his nervous condition have succeeded in getting on my nerves. I can certainly understand the trials of suffering from anxiety, but come on. He is a horribly ineffectual guardian for Miss Laura Fairlie. Also, it bothers me that Miss Fairlie does not have any conversations with this man on her own behalf regarding her money, marriage, or feelings. Does anyone else wish they could just run around this man’s rooms talking loudly and slamming doors for fun…much like Marian does in the following passage: “I dashed into Mr. Fairlie’s room-called to him as harshly as possible, 'Laura consents to the twenty-second'-and dashed out again … I banged the door after me; and I hope I shattered Mr. Fairlie’s nervous system for the rest of the day.”
4. I find myself feeling so outraged as to the state of women’s rights during this time. Who should we blame for Laura having been compelled to still marry Sir Percival? After all, he did give her the option of ending the engagement. Is it her own fault, her dead father’s, that of Marian’s for sending Walter, her true love, away, or society’s at large? Marian certainly blames herself; an idea I also find disconcerting: “Between those two young hearts I had stood, to sunder them forever, the one from the other-and his life and her life lay wasted before me, alike, in witness of the deed.” I, obviously, lay the blame with society.
5. What is the deal with Count Fosco? Is it possible that he is the one who actually enticed Sir Percival to marry Laura as a means to recover his wife’s Fairlie inheritance?
Enough writing for now, I must get back to reading the novel. This nineteenth century soap opera has certainly reeled me in. But first, I have to share this: When I went looking for pictures of Collins, I was immediately struck by his resemblance to my own estranged father...weird...very weird indeed. J